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In the gloom of Saint-Sulpice we explain the interest of the novel's esoteric information ... and that of the church itself, which before the novel's publication was almost empty of visitors. As it is in the heart of the Left Bank, we explore those parts of the picturesque and celebrated area that interest visitors most.
At the Louvre, we examine the Mona Lisa, since that painting is central to the novel. But although it is the planet's most famous work, it is not the Louvre's most important. Nor does it contain hidden information. The author is right, however, to say that coded statements can be part of art. Rubens's paintings on the life of queen Marie de Médicis, for example, are charged with messages for insiders to decipher. The Louvre devotes an entire room to this series, which is one of its greatest treasures.
Since the hero is a guest at the Hotel Ritz, tea at its Bar Vendôme can follow, with tales of Chanel, Proust and other major figures that are associated with that legendary place.
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- Châteaux choices
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Brown's preface declares that everything he affirms can be verified, which would revolutionize Christianity.
Yet sifted into these revelations is a particular emphasis on the Parisian streets that characters take. Those tragectories are absolutely impossible.
We suggest a reason for these voluntary errors, which come from an American who knows Paris perfectly and which any street guide contradicts.
• Costs, 1-5 visitors
° To guide, 190€ per half day (3-4 hours), full day (whcihc includes château) 290€
° To PEF, 20% plus dues. Public transportation is included, Louvre and château entries not included. For larger groups fees change, but remain reasonable.
° To driver: 40€-55€ within Paris, from 50€ outside it. |
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Credits: photos / Claude Abron




